Scott Candlish

“I want to do as much as I can, so I don’t have any regrets in 6 years’ time.”


Scott Candlish graced the Cornish Arms Open Mic stage showing passion and emotive quality throughout his brilliant performance. His expressive vocal tone and airy guitar gave off a nostalgic vibe, drawing the audience’s attention to this promising musician.

Playing some original acoustic songs for us, he showed his great talent for songwriting. His performance displays a passion for classic melody and harmony, influenced by the likes of Simon and Garfunkel, Crowded House and Daniel Johns.

“Harmonies create such a balance and enhance the overall sound, like a magnet coming together.”

As a 22 year-old music student, Scott is coming into his own as a performing artist. In his determination to learn and grow as a musician, he keeps his attention focused on his music:

“I put pressure on myself to play and get better… I have a passion for music, it just feels right.”

With a newly-formed band and an EP in the works, he hopes to spend the next few years developing his skills and building his audience. Scott is determined to explore all musical possibilities while he can.

“I want to share and play my music and pick up as many people as possible on the way. I want to do as much as I can, so I don’t have any regrets in 6 years time.”

Scott is pretty excited for the year ahead. He hopes to continue on his musical journey and get his band out there to develop a following:

“I have a solid ground of confidence and now it’s just about developing ways to connect with people.”

You can check him out on Facebook and keep posted on his upcoming activity with his band.

Anton Thomas

“You don’t become a musician to be rich. You should study Law to do that.”


Capturing his audience immediately, Anton’s performance was an experience for both the auditory and visual senses. His hands literally danced across the fretboard whilst his soulful voice wove stories that transported us to a cantina by the Mississippi.

A well-travelled Kiwi, Anton has spent a lot of time in the great music cities of the southern United States, which has had a galvanising effect on him.

“You meet someone at a bus stop in New Orleans and it’s not like meeting someone at a bus stop anywhere else… I soaked up the inspiration… and it really brought my game up.”

His original, ‘Paint Me a Picture’ is a fine example of Anton’s remarkable guitar ability complemented by his voice to create a tranquil, yet catchy melody. His style is firmly rooted in the blues, but he also incorporates more contemporary flavours with an unmistakable hip-hop flair.

“I’ve always loved performing – as kid I was into drama – and when I get the chance to open a dialogue with audiences it really motivates me.”

Gifted with a humble kind of showmanship and a comfortable, laid-back demeanor, Anton naturally engages an audience; an ability so often overlooked by emerging musicians.

“Confidence is the key – it’s not always going to be there, you just need to get up and play. There’ll be times when no one digs it, but the more you do it, the better!”

Thankfully, Anton has now replaced the stress of working as a full-time chef with a less demanding role. Although sacrificing much of his income, it leaves him in a better position to follow his love of music and songwriting.

“I want to make a living out of my creative pursuits and if that leads to lots of money, then great! I don’t have that in mind though… you don’t become a musician to be rich. You should study Law to do that.”

You can catch Anton Thomas playing at Club Voltaire on 17th July, Lentil as Anything on 18th July and more generally around Melbourne’s open-mic circuit.

Check him out on Facebook, Soundcloud and YouTube.

Who dat? N’awlins dat!

Howdy Heartstringers! So I thought I’d contribute a piece to our musician community of my recent experience in one of the live music capitals – New Orleans. In this chilled southern city by the Mississippi you don’t ask yourself “if I should go out”… But rather “where will I end up?!”

The eclectic scene here has something for everyone. You’ve got Bourbon Street, where ‘Sweet Home Alabama’ is chanted throughout the bars whilst scantily-clad women offer you an  unforgettable 5 minutes for $5. This is more of a commercialised Vegas strip and whilst definitely worth the walk-through for the amusement factor, isn’t the place to go to see what this city has to offer.

“Ya’ll gotta head down to Frenchmen St…” exclaims the man behind the bar. And we follow his instructions – do as the locals do in New Orleans as I’ve found they know what they’re on about. Perhaps one of more well known joints is ‘The Spotted Cat’. The bar itself is the size of a lounge room and you definitely have the feeling you are surrounded by old friends in this place. It’s a bar of jazz and swing. This particular night had the ‘Smoking Time Jazz Club’ pumping out fast paced swing  tunes. Perhaps the highlight of this bar however is the audience participation. It’s not unusual to have some fully-fledged pro swing dancing kicking around in front of the stage whilst the onlookers gasp at the flexibility and endurance of these Louisiana folk.

Cafe Negril, New Orleans

Cafe Negril

After your swing fix, you can walk down to ‘Cafe Negril’. There’s generally always a party on in here and with no surprise, some college girl who just turned 21 is being sung ‘happy birthday’ by a reggae-hip hop group. The giant Bob Marley wall painting behind the stage sets the mood for this place. People are just having a good ‘ole time.

Perhaps one of my favourite venues – ‘Balcony Music  Club’ (BMC) – is one that prides itself on some killer acts. ‘Blues4Sale’ are definitely the band that make the crowd go wild as they effortlessly venture into a musical journey that resembles a Hendrix lovechild. The frontman Ed Wills is an absolute inspiration with his unstoppable guitar solos whilst creating a real connection with the audience through the bluesy tales of life in New Orleans. By the end of the night, half the venue are up and bouncing around at the front – definitely a night to remember.

Chickie Wah Wah, New Orleans

Chickie Wah Wah

Just north of the touristy district is ‘Chickie Wah Wah’ – a venue that seems to draw more locals to witness some truly unique acts. ‘Helen Gillet’ – a cellist, singer and loop-pedal extraordinaire happened to be on this night along with her 5-piece band. She took us on a musical journey that ventured from French musettes to orchestral fusion and it was an absolute wonder to watch and listen to. Aside from music, the food at this place is definitely worth the try for authentic southern cooking.

Whilst these are definitely the highlights I experienced, there are many other places to check out such as ‘Preservation Hall’  where you literally go back in time to the 1930s and ‘Apple Barrel’ where the audience are spilling onto the street, dancing the night away. Just walking through the streets of the French Quarter and you will come across some very talented busking. Violinist and Guitarist duo ‘Tanya and Dorise’ literally have people with deck chairs set up to watch their creative take on well-known covers. There are also countless free music festivals throughout the year that pack the city parks.

Tanya and Dorice, New Orleans

Tanya and Dorice

New Orleans is all about accessible live music. The compact city and 24-hour tram allow punters to get anywhere to watch almost anything. Most venues offer free entry with performers leaving tip jars at the front of stages for audiences to show their appreciation. Coupled with affordable drinks, it’s definitely cheaper than going to the cinema and way more exhilarating. It’s really heartening to see an entire city come together to support what they do best – everyone knows everyone and they all help each other out to maintain what makes New Orleans one of the great live music capitals.

By James Hallal | twitter // @jameshallal