Daniel Wick

“(Music) was definitely a coping mechanism; it gave me an outlet.”


You would never know that Daniel Wick has only been playing guitar for just over three years. As he stepped up to the stage at Bar Oussou open mic last Tuesday there was a sense in the audience that something special was about to happen. He has obviously been here before. He looks comfortable on stage as he begins to fingerpick his way through his first original song, ‘I’m not here to stay’.

“After a tragic break up, I had to write a couple of songs.”

 His fingerpicking style is Dylanesque, but his vocals are unique with an almost Jeff Buckley feel. He gets much of his inspiration from folk and folk rock and you feel this influence when listening to his songs.

“My holy trinity is Bob Dylan, Van Morrison, and Leonard Cohen.”

At the moment he is drawing a lot of inspiration from Brian Jonestown Massacre and he aspires to get a few musicians together to play a few bigger, more arranged pieces. At Bar Oussou, he often plays together with his friend Paul, who provides great accompaniment on the harmonica.

Wick, who works as an English and Media teacher at a local high school during the week, moved to Melbourne from Perth three years ago. Bar Oussou was the first place he played after he moved here, and he comes back almost every week. He enjoys the open mic scene around Brunswick, but also occasionally travels to Northcote and Richmond to perform there as well.

“Play open mics, all the time. It’s a really good way to get your confidence up and get your music heard.”

Wick also does a bit of slam poetry and finds inspiration from poets and stand-up comedians. In fact, he is currently working with a local poet to put one of their poems to his music.

Daniel Wick is a singer/songwriter with huge skill, great potential, and it’s definitely worth going to see him perform. You can listen to some of his demos on Soundcloud and find him on Facebook.

Kat Eddy

“I feel like maybe I’ve moved past crocodiles being an inspiration, you know?”


Kat Eddy stepped up to the microphone at Baxter’s Lot open mic last Thursday night and the room suddenly fell silent. As she played her way through a string of impressive original acoustic pop songs the audience were left in no doubt that they were witnessing something special. Those in attendance may have been surprised to learn that Kat had only begun playing open mics relatively recently, as a means to get her songs out of the bedroom and into the public domain.

 “I have a lot of songs – I wasn’t doing anything with them and wanted people to hear them.”

Kat has held a lifelong passion for music, having written her first song (about crocodiles) in grade five. Today her songs cover a wide variety of subjects and themes, ranging from the desire to be able to alter past mistakes (‘Start it Again’) to the challenges she and others have faced being a woman (‘Girl’, partially inspired by the plight of Pakistani human rights activist Malala Yousafzai).

“I don’t do very many love songs, which is weird – I’ve been told it’s not normal… I just sing about other things.”

While performing she appears relaxed and comfortable, gracefully laying her vocals over a bed of sophisticated, jazzy chord changes. She also possesses an unusually rhythmic playing style, going so far as to utilise the body of her guitar for percussive effect.

“I’m a perfectionist with arrangements – so I’ll write something but then it will take me ages to work out exactly how I want to play it… once it’s ready I stay with it.”

Drawing inspiration from a broad range of influences Kat cites Katie Tunstall, Sara Bareilles and Jamie Cullum as artists that have left a lasting impression on her.  Her goal is to record and release an EP sometime early next year, while pursuing regular paid gigs and continuing on the open mic circuit.

You can catch Kat playing at her two favourite open mics at The Snug (every Tuesday night) and Baxter’s Lot (first Thursday night of every month), and keep up with her music on her Facebook page.