Gavin Murray

“Everybody has a role to play in making a scene, a scene.”


When I met Gav it reminded me of the diversity of Melbourne’s local live music scene. When Gav took over the stage at Bar Oussou he took the audience along with him as 20 years of music experience came through with every belted note and whispered lyric, brimming with emotion. Whilst he calls Melbourne home, he hails originally from the Central Coast and his music career has seen him play both interstate and internationally.

“Melbourne’s live music scene is an absolute minefield of talent […] any night of the week I can go watch somebody amazing play and that feeds my creative side.”

Influenced by a range of styles, Gav’s music is full of dynamics with distinct undertones of jazz and blues Tom Waits style turning more soulful all the way through to straight rock n roll, paying homage to grunge bands of the 90s, the likes of Nirvana and Pearl Jam.

“Putting myself out there hasn’t really been a priority for the past couple of years.”

Inspired by great songwriters such as Cat Stevens, Gav has a method to his songwriting madness which I found intriguing.

“I keep a scrapbook for lyrics and come up with a bunch of titles or just a single line and I’ll put it on a blank page; then I turn the page and do another one. I never really dwell too long on an idea at the start.”

Gav has a theory that the subconscious mind thinks about these ideas while you’re living your life and your experiences are drawing in on them.

“Then I’ll play guitar, come up with a riff and go through the book […] find lines for which the syllables and the vibe fits, then I find the page just fills itself at that point – the music triggers all the stuff you’ve been working out subconsciously.”

Gav works as a sound engineer and video tech by day, with the likes of Melbourne Symphony Orchestra and the Australian Opera and he’s pulling together an in-home studio, passionate to work with local talented artists.

“You find inspiration in these people that you find at bars […] that are in some ways lonely, they’re listening to the music and escaping from something and from having beers and chats with them you can find plenty to write songs about.”

Gav is currently working on a top secret new band project drawing together styles of stoner rock and pop melodies of the 60s with powerful female backing vocals to complement his own. We probably shouldn’t even be talking about it as Gav has kept it off the radar so far, but I for one am excited – watch this space!

Bailey Sampson & Jackson McIntosh

“We’re happy to go broke for a while just to eventually get there.”


The duo’s unique setup had their audience intrigued from get-go, consisting of an electric guitar running through a Marshall amp with a slightly frayed logo along with a synth pad on a make-shift keyboard stand. ‘Looping’ live goes one of two ways, however even from sound check it was clear the duo knew what they were doing. Glassy jazz chords rang out from Jackson’s Fender in-between rock/blues inspired pentatonic licks which were complimented by Bailey’s soulful voice; the duo’s sound is slightly reminiscent of 21 pilots with an edgy electronic pop/soul/funk feel and distinct undertones of rock’n’roll.

Jackson: “I started playing guitar because my brother played drums.”
Bailey: “I started singing in year 10 for some musical.”

Having met in a Music Performance TAFE course, Bailey and Jackson have been performing under the name “Stripping on Sunset” since mid-2016.

“This is our career – this is where we both want to end up.”

To sustain the music dream they each have side jobs by day – Jackson is a landscaper and Bailey is a primary school teacher – but the majority of their week is devoted to music composition and spending time in the studio jamming.

“’Stare’ started as a jazz acoustic and then he took it, chucked it on a synth and it became this dark sort of thing.”

Their dream is to travel around the world performing to large audiences and even spending time abroad specifically in L.A. for as long as possible without ‘going broke’.

“Because we’re in our 20s this is the time to try all this stuff.”

In the meantime, the duo are eager proponents of the Open Mic scene receiving more social media likes and interest after those gigs ‘performing to strangers on any given night’ vs. ticketed events.

You can check out their music and keep up with their gigs on Facebook, Soundcloud and on their own website www.strippingonsunset.com.

Lucas O’Connell

“I just want to keep on making albums and keep sharing music – that’s all. I just think sharing music is the most important thing.”


I had the pleasure of meeting Lucas O’Connell after he played a remarkable set at The Snug last Tuesday night. Over the course of a lengthy discussion about, well, anything and everything, the words ‘sharing’ and ‘connection’ came up time and time again. Now I must admit that I am generally a little suspicious of such terms. I mean come on… ‘sharing’ and ‘connection’ may have worked at Woodstock but in this day and age those kinds of sentiments are a little suspect. Of course it would have been a lot easier to maintain my staunch cynicism had I not witnessed firsthand the powerful effect Lucas’ songs had on the audience that night.

“I get inspired by the connection with the audience… people appreciating what you do and you appreciating what they do. It’s mutual appreciation between the artist and audience. Open mics are great for that”

Prior to our meeting I sit and watch Lucas’ set from a small side table at The Snug. He begins by laying down a steady, seemingly effortless finger-picking pattern, the song building in momentum with each passing chord. As he starts to sing in a startling and spookily understated voice the song unfurls before me, enveloping the room. Lucas goes on to sing about Medusa and Cleopatra, his voice rising and falling with the ease and grace of a champion figure skater. I exchange glances with a friend of mine, as if to say “what have we here?”

Over the course of his set he masterfully fuses the feel and mood of early trad folk with the creative clout of the best 60’s and 70’s singer-songwriters. It is one of those rare musical experiences – rather than simply being impressed I am left with the sense that I have witnessed something truly special.

“It’s a very private thing to share… your own songs. A lot of people struggle. I think it’s just relaxing for the soul to share your music.”

Originally hailing from Wellington in New Zealand Lucas has lived all over the world, spending time in Australia, Japan, Korea, Peru, Argentina, England, Scotland and parts of South-east Asia. He took up playing guitar at the age of 21 while travelling and from there began writing his own songs. It was in an Edinburgh post office in 2006 that he found a creative sanctuary of sorts, dreaming up folk tunes while sorting mail (On a side note I personally love this aspect of his artistic development – he is literally working his way up from the mailroom). Pretty soon fellow travelers were urging him to ‘share’ his songs on stage in front of a real audience.

“Because I was always travelling it was kind of a gradual step – playing in front of backpackers to playing on stage.”

Lucas’ inspirations are many. During our discussion he spoke of his love for Ancient Greek Mythology, Kerouac and 60’s bands, along with more discernibly obvious influences such as Nick Drake, Bob Dylan and Leonard Cohen et al. He also spoke of his fondness for open tunings.

“I use about fourteen different tunings in my songs. And I’m always looking for new ones – it’s like you’re creating your own chords.”

Two years ago Lucas released his debut album ‘Songs to Sleep on’ (great title!), receiving airplay in his native New Zealand as well as on BBC radio. He also shot an eye-popping video for the lead single ‘Liquid Night’ which was shown at the Byron Bay Film Festival. Lucas has decided to stay put in Melbourne for the next little while, so with any luck you will be fortunate enough to catch him playing at an open mic somewhere soon. Otherwise you can check out his tunes on Soundcloud, or find him on either Facebook or his website.

Daniel Wick

“(Music) was definitely a coping mechanism; it gave me an outlet.”


You would never know that Daniel Wick has only been playing guitar for just over three years. As he stepped up to the stage at Bar Oussou open mic last Tuesday there was a sense in the audience that something special was about to happen. He has obviously been here before. He looks comfortable on stage as he begins to fingerpick his way through his first original song, ‘I’m not here to stay’.

“After a tragic break up, I had to write a couple of songs.”

 His fingerpicking style is Dylanesque, but his vocals are unique with an almost Jeff Buckley feel. He gets much of his inspiration from folk and folk rock and you feel this influence when listening to his songs.

“My holy trinity is Bob Dylan, Van Morrison, and Leonard Cohen.”

At the moment he is drawing a lot of inspiration from Brian Jonestown Massacre and he aspires to get a few musicians together to play a few bigger, more arranged pieces. At Bar Oussou, he often plays together with his friend Paul, who provides great accompaniment on the harmonica.

Wick, who works as an English and Media teacher at a local high school during the week, moved to Melbourne from Perth three years ago. Bar Oussou was the first place he played after he moved here, and he comes back almost every week. He enjoys the open mic scene around Brunswick, but also occasionally travels to Northcote and Richmond to perform there as well.

“Play open mics, all the time. It’s a really good way to get your confidence up and get your music heard.”

Wick also does a bit of slam poetry and finds inspiration from poets and stand-up comedians. In fact, he is currently working with a local poet to put one of their poems to his music.

Daniel Wick is a singer/songwriter with huge skill, great potential, and it’s definitely worth going to see him perform. You can listen to some of his demos on Soundcloud and find him on Facebook.

Kat Eddy

“I feel like maybe I’ve moved past crocodiles being an inspiration, you know?”


Kat Eddy stepped up to the microphone at Baxter’s Lot open mic last Thursday night and the room suddenly fell silent. As she played her way through a string of impressive original acoustic pop songs the audience were left in no doubt that they were witnessing something special. Those in attendance may have been surprised to learn that Kat had only begun playing open mics relatively recently, as a means to get her songs out of the bedroom and into the public domain.

 “I have a lot of songs – I wasn’t doing anything with them and wanted people to hear them.”

Kat has held a lifelong passion for music, having written her first song (about crocodiles) in grade five. Today her songs cover a wide variety of subjects and themes, ranging from the desire to be able to alter past mistakes (‘Start it Again’) to the challenges she and others have faced being a woman (‘Girl’, partially inspired by the plight of Pakistani human rights activist Malala Yousafzai).

“I don’t do very many love songs, which is weird – I’ve been told it’s not normal… I just sing about other things.”

While performing she appears relaxed and comfortable, gracefully laying her vocals over a bed of sophisticated, jazzy chord changes. She also possesses an unusually rhythmic playing style, going so far as to utilise the body of her guitar for percussive effect.

“I’m a perfectionist with arrangements – so I’ll write something but then it will take me ages to work out exactly how I want to play it… once it’s ready I stay with it.”

Drawing inspiration from a broad range of influences Kat cites Katie Tunstall, Sara Bareilles and Jamie Cullum as artists that have left a lasting impression on her.  Her goal is to record and release an EP sometime early next year, while pursuing regular paid gigs and continuing on the open mic circuit.

You can catch Kat playing at her two favourite open mics at The Snug (every Tuesday night) and Baxter’s Lot (first Thursday night of every month), and keep up with her music on her Facebook page.

Sarah Edelstein

“I now know that wherever I go, wherever I move, [open mics] will be the way I’ll try to meet people.”


Continuing along the fantastic standard of the Cornish Arms’ Open Mic, singer-songwriter Sarah Edelstein played a catchy set consisting of three personalised and very heartfelt covers. With a voice like a soft-spoken Missy Higgins, Sarah wooed the crowd with her renditions of George Michael’s “Faith”, Missy Higgins’ own “Sugarcane” and Joni Mitchell’s “Big Yellow Taxi”.

“[Music] will always be a part of my life, no matter what.”

Originally from San Diego, she now works at a synagogue in Melbourne, and writes many of her original songs in Hebrew. The multi-talented Sarah also writes original folk tunes in English, although she’s yet to grace us with them. Stylistically, Sarah’s music is influenced by singer-songwriters such as Joni Mitchell and Ani DiFranco, and she draws inspiration from the warm reception she received playing to teenagers at a summer camp.

“Whatever engages young people will tend to engage anyone.”

Although Sarah used to play occasional open mics on campus at her university in California, it wasn’t until she started regularly playing in Melbourne’s circuit that she realised her love for the open mic community, and its open-armed attitude.

 “I now know that wherever I go, wherever I move, [open mics] will be the way I’ll try to meet people.”

Although she confessed that “I should be the one receiving advice”, Sarah spoke to us about the deep personal benefit that comes with playing live music to an audience:

“It’s a great way to check in with yourself – to sit in front of a microphone and to see what comes out.”

You can often catch Sarah playing at the open mic nights at Mr Boogie Man Bar on Wednesday nights and the Cornish Arms Hotel on Mondays, so be sure to check her out there!

Scott Candlish

“I want to do as much as I can, so I don’t have any regrets in 6 years’ time.”


Scott Candlish graced the Cornish Arms Open Mic stage showing passion and emotive quality throughout his brilliant performance. His expressive vocal tone and airy guitar gave off a nostalgic vibe, drawing the audience’s attention to this promising musician.

Playing some original acoustic songs for us, he showed his great talent for songwriting. His performance displays a passion for classic melody and harmony, influenced by the likes of Simon and Garfunkel, Crowded House and Daniel Johns.

“Harmonies create such a balance and enhance the overall sound, like a magnet coming together.”

As a 22 year-old music student, Scott is coming into his own as a performing artist. In his determination to learn and grow as a musician, he keeps his attention focused on his music:

“I put pressure on myself to play and get better… I have a passion for music, it just feels right.”

With a newly-formed band and an EP in the works, he hopes to spend the next few years developing his skills and building his audience. Scott is determined to explore all musical possibilities while he can.

“I want to share and play my music and pick up as many people as possible on the way. I want to do as much as I can, so I don’t have any regrets in 6 years time.”

Scott is pretty excited for the year ahead. He hopes to continue on his musical journey and get his band out there to develop a following:

“I have a solid ground of confidence and now it’s just about developing ways to connect with people.”

You can check him out on Facebook and keep posted on his upcoming activity with his band.

Richelle Boer & Matt Bourne

“I love the way that music connects people. It doesn’t really matter how big or small it is, as long as I can keep doing that. That’s what I want to do.” (Richelle)


We’re setting up to interview another artist when The Balaclava Hotel is filled with a gentle, refined, lulling harmony. Richelle Boer and Matt Bourne are testing mics over quick plucks of the guitar. The soft timbre of Richelle’s voice pulls our attention away, and the chilling harmony hooks us in.

Richelle and Matt, both members of five-piece band ‘Iris’, played an acoustic cover of “Beat It” that was slow and smooth, and two originals including the incandescent “Vertigo”. The full band sways on pop indie echoes that drop in and out of folk and rock.

“[My songs] are more often about running away than about love. They’re hopeful because it’s usually me working through something and trying to come out the other end okay.” (Richelle)

Richelle grew up with a singer for a father and felt called to the stage from the very beginning. Matt picked up a guitar one day and just kept playing. Both come from different backgrounds, but the story is the same: their music is their life.

“Work hard and keep working hard. And keep showing up; show up to practice, show up to write, show up to sit there and feel like you can’t go on… and then do it again.” (Matt)

Richelle’s advice is to record your music. The pressure of putting it out there makes you question whether the music is as good as you want it to be.

“Make a good recording. Spend the time doing that so you’ve actually got something to show and to give out.” (Richelle)

The band just returned from a house concert tour in Europe, and have released a music video and the first half of their EP. Iris is currently developing the full EP, and will be performing at the Wesley Anne, Fri Aug 22, alongside Wire Bird and Velvet Archers.

Like them on Facebook and check out their website.

 

Tom Millington

“If you can get yourself right, trust that your unravelling will be just so and exact.”


We’re up near the back of the room, three artists into the night and drinks in hand. It’s my first night on the job, and the host announces: ‘We have a special guest tonight, my good friend Millington!’. The whole room breathes in at the same time.

A barefooted man steps up on this cold July night, giving the host a quick warm slap on the back in passing. He is a spoken word poet as well as a muso; a foot-stomping blend of Gypsy-Funk Roots-Rock Smokey-Folk Blues-Pop.

The next thirty minutes are a pounding, thrumming feast. I can’t stop listening, and the steady pulse sticks in my ears for a good half hour after.

“[Music] is the language of the heart. I think my musicality’s always been there, because I was taught to do music before I knew an instrument. So I felt what I wanted to do, and then I just needed to have the tool in order to do it.”

His music is driven by stompbox under acoustic guitar, electric guitar and a beautiful resonator ukelele. Each song is broken up by spoken scatterings of life, of love, of slam poem musings. Millington holds your heart in each strum and doesn’t even hint at letting go ’til his set is done.

“Do what you feel. Do what you feel, at every one given moment in time. Because then you’re acting on impulse, on inspiration, on this intuitive level.”

Despite playing three to four nights a week, Millington has a relaxed attitude towards his career. He’s played festivals overseas and hopes to play to bigger audiences in Australia, but the music, his connection to his inner self and being with his family are what matter the most.

“I could train in a million other things that I’m interested in, but they’d all have a shelf life career-wise. Whereas [music] I can get up and do almost every night, so I love that.”

Millington is currently planning to record an EP. He plays regularly in Mornington and will be performing in a few joints closer to Melbourne, including his next appearance at the Wesley Anne in Northcote in September.

Keep up to date with his goings-on at www.facebook.com/millingtonmusic.

Rebecca & Bianca Langley


Open Mic Night @ Bar Oussou
 

From the turmoil of Manus Island Detention Centre, Rebecca & Bianca don’t need to dig too deep for creative motivation. The pair’s blend of folk-pop with a touch of soul, provides a catalogue of heartfelt and vibrant sounding songs that sing of the tenuous human condition on the island. Other songs tell of the journey of love whilst traversing the pitfalls of sorrow. Sources of inspiration behind their music also include Lauryn Hill, Melbourne’s own Kate Miller-Heidke and perhaps more poignantly – Rebecca’s Grandmother, whose love of music and talent at the piano has been challenged by severe arthritis; this influence on her grand-daughter is evidently profound, spurring on her own passion for making music.

Rebecca & Bianca just want to share their music as often as they can and reckon the path to success is to just have fun and not do it for the money. When not setting up and playing gigs the girls are teaching music, working with disengaged youth or volunteering to assist asylum seekers.

At the moment despite gaining momentum, gigs and publicity has been difficult, says Rebecca, because she lives most of the time in Paris France, therefore posing a logistical challenge.

We all wish this very intriguing duo the best of luck and hope you can catch them playing when they’re back down under.

Bookers can contact biancmaes@hotmail.com